What was pérotin known for
Updated Aug 13 About encyclopedia. Perot, H enry Ross.
Perotin the great biography pdf
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His works include Viderunt omnes , Sederunt principes , Alleluia posui adiutorum , and Alleluia natiuitas in the organum style as well as Dum sigillum and Beata uiscera in the single-melody conductus style. The conductus sets a rhymed Latin poem called a sequence to a repeated melody, much like a contemporary hymn.
Perotin the great biography of david: Pérotin[n 1] (fl. c. ) was a composer associated with the Notre Dame school of polyphony in Paris and the broader ars antiqua musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies.
Later in life he earned the title "Perotin Magister" which means Perotin the master or expert. Terms Defined. Two styles emerged from the organum duplum , the "florid" and "discant" discantus. By contrast, in the florid organum, the upper or vox organalis voice wove shorter notes around the longer notes of the lower tenor chant.
Johannes de Garlandia states that the Magnus Liber commences with Perotin's four-part organa, and makes specific reference to the notation in the three-part Alleluya, Posui adiutorium. Other works are attributed to him by later scholars, such as Heinrich Husmann, on stylistic grounds, all in the organum style, as well as the two-voice Dum sigillum summi Patris and the monophonic Beata viscera in the conductus style.
The conductus sets a rhymed Latin poem called a sequence to a repeated melody, much like a contemporary hymn. The former include the three-part conductus Salvator hodie. The latter is placed in the Mass for the Circumcision in a 13th century French manuscript. Of these, the best known works are his Viderunt omnes and Sederunt principes. These have been described as representing the peak of musical development of the time.
Here the upper voices move in discant, as rhythmic counterpoint above the sustained tenor notes. This is consistent with Anonymous IV's description of him as optimus discantor. Rebuked by Pierre de Capuano, the papal legate of the time, the bishop sought to reform the rituals around the Christmas season, forbidding the boistrous costumed performances that existed at the time, in particular, the Feast of Fools.
His preference was for elaborate music in its stead, calling for performance in organa triplo vel quadruplo for the Responsory and Benedicamus and other settings. If written after this, they could not have been written till late or , since for most of France lay under an interdict of Pope Innocent III which suppressed the celebration of church services.
Between the accounts of Anonymous IV, the episcopal edicts and the arrangements in the Magnus liber , the key compositions appear to be corroborated and assigned to this period. Anonymous IV identified seven works, that he presumably considered worthy of singling out, and these represent the only direct attribution. Subsequent authors have attributed works on stylistic and chronological grounds.
Husmann added an additional nine three-part organa , and five clausula to which Ludwig added numerous other clausula. Alleluia nativitas. Modern transcription of passage showing use of fourths blue:unison, red:third, black:fourth, magenta:fifth. Compositions [ edit ]. Works [ edit ]. Influence [ edit ]. Recordings [ edit ]. References [ edit ].
Notes [ edit ]. Et fuit in usu usque ad tempus Perotini Magni, qui abbreviavit eundem et fecit clausulas sive puncta plurima meliora, quoniam optimus discantor erat, et melior quam Leoninus erat. Sed hoc non [est] dicendum de subtilitate organi etc. Ipse vero magister Perotinus fecit quadrupla optima sicut Viderunt, Sederunt cum habundantia colorum armonicae artis Sed non probatur per istam artem, sed bene probatur per exemplum, quod invenitur in Alleluja Posui adjutorium, in triplo scilicet quatuor cum proprietate et perfectione et tres et tres et tres cum proprietate etc.
Perotin the great biography wikipedia
Citations [ edit ]. Bibliography [ edit ]. Books Berger, Anna Maria Busse Medieval Music and the Art of Memory. University of California Press. ISBN Bradley, Catherine A. Cambridge University Press. Clarke, Peter D. OUP Oxford. Duffin, Ross W. A Performer's Guide to Medieval Music. Indiana University Press.
Perotin the great biography
Everist, Mark ; Kelly, Thomas Forrest , eds. The Cambridge History of Medieval Music. Finscher, Ludwig ; Mahling, Christoph-Hellmut, eds. Dezember Gattermayer, Elena Bonoldi Bianca di Castiglia: regina di Francia e madre di un santo in Italian. Milan: Editoriale Jaca Book. Huglo, Michel Basel: Amadeus. English trans. Rob C. Wegman Husmann, Heinrich Leipzig: G.
Johnson, Julian Classical Music: A Beginner's Guide. Oneworld Publications. Ludwig, Friedrich Repertorium organorum recentioris et motetorum vetustissimi stili in German. Assen : Institute of Mediaeval Music. Perotin Thurston, Ethel ed.
Perotin the great biography summary
The works of Perotin. Edwin F. Anderson, Gordon A. April JSTOR Viderunt omnes, Sederunt miniature score. Alfred Music. Taruskin, Richard Oxford University Press. Wilson-Dickson, Andrew Fortress Press. Wright, Craig Music and Ceremony at Notre Dame of Paris, CUP Archive. Historical sources Anonymous IV Reckow, Fritz ed.