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2:35YouTubeAires de la Mancha - 4. La Pastora (F. M. Torroba)Feb 25, 20183.8K Views
Spanish composer and conductor — In this Spanish name , the first or paternal surname is Moreno and the second or maternal family name is Torroba. Madrid , Spain [ 1 ]. Madrid, Spain [ 1 ]. Biography and career [ edit ].
Works [ edit ]. Operas [ edit ]. Zarzuelas [ edit ]. Ballets [ edit ]. Orchestral works [ edit ]. He is the second son of the great guitarist Celedonio Romero, and brother of the two guitarists Celin and Angel Romero. Born in M. More than fifty years later, he continues to mesmerise audiences throughout the world.
Aires de la mancha moreno torroba biography
During that time, he has given literally thousands of concerts worldwide, many with the remarkable Romero Quartet, and many as a solo instrumentalist. Spanish folklore permeates most of his works and he contributed to most genres. He achieved great popularity in his native land with his many colourful zarzuelas, the Spanish form of operetta.
Three of the works on this disc were also composed with Segovia in mind. This is a tricky hybrid — or let us call it cross-over music.
The problem is that it requires a soloist with exceptional capabilities. Flamenco guitarists in general do not feel at home in the classical world and classical guitarists are not often familiar with the flamenco idiom. Looking at details I became confounded, because the LP accounts for three movements while the work we hear on the present disc has four and the titles of the movements are differently named.
Anyway there does exist one guitarist with roots in both traditions and that is another legend, Pepe Romero. At 69 when the recording was made, Romero plays as marvellously as ever.
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Melodious, rhythmically enticing and colourfully orchestrated this is a valuable addition to the concerto repertoire — in case there are guitarists out there who are masters of both styles. The earlier of the two zarzuelas is one of best-loved examples of that tradition: "Luisa Fernanda" may have owed something to Vives in its subtle orchestration and arresting characterisation; but its combination of lively action, abundant melodic grace and uniquely acerbic melancholy made for an enormous success which has lasted down to our own time.
If Torroba never quite had the luck - or time - to develop his own music in accordance with his theories, the two great stage works remain cornerstones of that tradition in which he believed so strongly, and for which he worked so hard. Birth Tuesday, 3 March Groups Spain. Modern composers.
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